Zombies Are Us: The Walking Dead in the American Police State

Fear is a primitive impulse, brainless as hunger, and because the aim of horror fiction is the production of the deepest kinds of fears, the genre tends to reinforce some remarkably uncivilized ideas about self-protection. In the current crop of zombie stories, the prevailing value for the beleaguered survivors is a sort of siege mentality, a vigilance so constant and unremitting that it’s indistinguishable from the purest paranoia.
– Terrence Rafferty, New York Times
Fear and paranoia have become hallmarks of the modern American experience, impacting how we as a nation view the world around us, how we as citizens view each other, and most of all how our government views us.
Nowhere is this epidemic of fear and paranoia more aptly mirrored than in the culture’s fascination with zombies, exacerbated by the hit television series The Walking Dead, in which a small group of Americans attempt to survive in a zombie-ridden, post-apocalyptic world where they’re not only fighting off flesh-eating ghouls but cannibalistic humans.
Zombies have experienced such a surge in popularity in recent years that you don’t have to look very far anymore to find them lurking around every corner: wreaking havoc in movie blockbusters such as World War Z, running for their lives in 5K charity races, battling corsets in Pride and Prejudice and Zombies, and even putting government agents through their paces in mock military drills arranged by the Dept. of Defense (DOD) and the Center for Disease Control (CDC).
We’ve been so hounded in recent years with dire warnings about terrorist attacks, Ebola pandemics, economic collapse, environmental disasters, and militarized police, it’s no wonder millions of Americans have turned to zombie fiction as a means of escapism and a way to ‘envision how we and our own would thrive if everything went to hell and we lost all our societal supports.’ As Time magazine reporter James Poniewozik phrases it, the ‘apocalyptic drama lets us face the end of the world once a week and live.’
Writing for the New York Times, Terrence Rafferty notes:
In the case of zombie fiction, you have to wonder whether our 21st-century fascination with these hungry hordes has something to do with a general anxiety, particularly in the West, about the planet’s dwindling resources: a sense that there are too many people out there, with too many urgent needs, and that eventually these encroaching masses, dimly understood but somehow ominous in their collective appetites, will simply consume us. At this awful, pinched moment of history we look into the future and see a tsunami of want bearing down on us, darkening the sky. The zombie is clearly the right monster for this glum mood, but it’s a little disturbing to think that these nonhuman creatures, with their slack, gaping maws, might be serving as metaphors for actual people – undocumented immigrants, say, or the entire populations of developing nations – whose only offense, in most cases, is that their mouths and bellies demand to be filled.
Here’s the curious thing: while zombies may be the personification of our darkest fears, they embody the government’s paranoia about the citizenry as potential threats that need to be monitored, tracked, surveilled, sequestered, deterred, vanquished and rendered impotent. Why else would the government feel the need to monitor our communications, track our movements, criminalize our every action, treat us like suspects, and strip us of any means of defense while equipping its own personnel with an amazing arsenal of weapons?
For years now, the government has been carrying out military training drills with zombies as the enemy. In 2011, the DOD created a 31-page instruction manual for how to protect America from a terrorist attack carried out by zombie forces. In 2012, the CDC released a guide for surviving a zombie plague. That was followed by training drills for members of the military, police officers and first responders. As journalist Andrea Peyser reports:

This post was published at The Burning Platform on 28th October 2014.